The Beginning (Le commencement (Santa Trinitas Deus)) from the series Le cantique des créatures (I)
1894, Charles Marie Dulac (1865 - 1898)
lithograph in two colours on wove paper,
65 cm x 50 cm
Van Gogh Museum, Amsterdam
The Beginning (Le commencement (Santa Trinitas Deus)) from the series Le cantique des créatures (I)
Charles Marie Dulac, 1894
Object data
- Object number
- p2495eS2008
- Edition
- 59/60
- Dimensions
- 65 cm x 50 cm, 48.4 cm x 43.8 cm, 40 cm x 36.3 cm
Inscription/label
- signature and number
- Ch. Dulac + 1
- signature and number
- Chd. 59
- blind embossing
- 57, RUE DE SEINE IMPRIMERIES LEMERCIER PARIS by Imprimerie Lemercier
- inscription
- SANCTA TRINITAS UNUS DEUS 1
Literature
- Fleur Roos Rosa de Carvalho, Marije Vellekoop, Printmaking in Paris : the rage for prints at the fin de siècle, 2012, p. 96-97
- Elizabeth Prelinger, Charles Dulac's : Suite de Paysages, p. 41-52
- Penny Florence, Mallarmé, Manet and Redon : visual and aural signs and the generation of meaning, 1986, p. 359-407
- Richard Thomson, The troubled republic : visual culture and social debate in France, 1889–1900, 2004, p. 130-133
- Fred Leeman, Landschappen van de ziel : het symbolistisch landschap in Frankrijk 1880-1910 = Paysage de l'âme : paysages symbolistes Français 1880-1910, 2010, p. 18-39
- Jean-David Jumeau-Lafond, Les peintres de l'âme : le Symbolisme idéaliste en France, 1999, p. 57-63
- ed. by Phillip Dennis Cate, The graphic arts and French society, 1871-1914, 1988, p. 94-112
- ed. by Pat Gilmour, Lasting Impressions : lithography as art, cop. 1988, p. 114-117
- Philip Dennis Cate, Sinclair Hamilton Hitchings ; with a translation by Margaret Needman of André Mellerio's 1898 essay la lithographie originale en couleurs, The color revolution : color lithography in France 1890 - 1900, 1978, p. 85
- [medewerkers Van Gogh Museum], Van Gogh Museum : jaarverslag 2008, 2009, p. 23, 79
- Fleur Roos Rosa de Carvalho, Marije Vellekoop, Prentkunst in Parijs : de rage van het fin de siècle, 2012
