Schuttingtaal (Le mot de Cambronne)

Literatuur

• Loys Delteil, Le peintre-graveur illustré : the graphic works of nineteenth and twentieth century artists : an illustrated catalog, New York, 1969, no. 105
• Michel Melot, l'Oeuvre gravé de Boudin, Corot, Daubigny, Dupré, Jongkind, Millet, Theodore, Rousseau, Paris, cop. 1978, p. 168, 280
• Frédéric Henriet, C. Daubigny et son oeuvre gravé : eaux-fortes et bois inédits par C. Daubigny, Karl Daubigny, Léon Lhermitte : héliogravures durand d'après des pièces rares de l'oeuvre de Daubigny, etc., Paris, 1878, p. 62-63
• Madeleine Fidell-Beaufort, Janine Bailly Herzberg ; textes Anglais de Judith Schub, Daubigny, Paris, 1975, p. 53, 219-224
• Charles Theodore Price, Naturalism and convention in the painting of Charles-François Daubigny, Ann Arbor, 1986, p. 65-66, 86-87, 165-168
• Christopher Lloyd, Daniel Charles, Phillip Dennis Cate; with a contribution by Gilles Chardeau, Impressionists on the water, New York, 2013, p. 77-86
• [catalogue Eric Gillis, Katharina Mayer Haunton, Anne Sink], French prints, Düsseldorf, 2002, no. 27
• Michael Marlais, John Varriano, Wendy M. Watson, Valenciennes, Daubigny and the origins of French landscape painting, South Hadley, 2004, p. 42-43
• Michael H. Duffy, The influence of Charles-François Daubigny on French plein-air landscape painting : rustic portrayals of everyday life in the work of a forerunner to Impressionism, Lewiston, 2010, p. 43, 71, 87-88, 99-103, 154, 158
• von Sonja Klee, Charles François Daubigny (1817-1878) : die Mondscheinlandschaften, Koblenz, s.a.], p. 66
• Steven Adams, The Barbizon School and the origins of impressionism, London, 1994, p. 192-193, 232
• Sylvian Amic, Mary Morton, Simon Kelly ... [et al.], Eblouissants reflets : cent chefs-d'oeuvre impressionnistes, Paris, 2013, p. 36-38, 187-199
• Bonnie Lee Grad, An analysis of the development of Daubigny's naturalism culminating in the riverscape period (1857-1870), Ann Arbor [etc.], 1981, p. 75, 83-84