The Courtesan (after Eisen), 1887

Vincent van Gogh (1853-1890)
  • Oil on Canvas, 105.5 X 60.5 cm
  • Van Gogh Museum, Amsterdam
    (Vincent van Gogh Stichting)
  • F 373

The Courtesan illustrates Van Gogh’s interest in Japan and Japanese prints. He based his painting on a work by the Japanese artist Kesai Eisen, which had been used for the cover of a special number of Paris Illustré. He copied and enlarged the Japanese figure by tracing on a grid, giving her a colorful kimono and placing her against a bright yellow background.

The border around the figure is a unified whole. The watery landscape with bamboo canes, water lilies, frogs, cranes and, in the distance, a little boat – are all motifs Van Gogh borrowed from other Japanese prints. The choice of animals was certainly not accidental: in 19th century France, prostitutes were often referred to as grues (cranes) or grenouilles (frogs); they are a reference to the woman’s “profession.”

More information about "The Courtesan (after Eisen)"

The Japanese Print Collection

Van Gogh saw Japanese prints for the first time in Antwerp. He greatly admired their bright colors and expressive character, and he soon began to collect them. In Paris he studied the work of the Impressionists, coming to understand the influence these prints had had on the modern movement. He also organized an exhibition of his own collection in the spring of 1887 at the Café du Tambourin. In a portrait of cafe owner Agostina Segatori, a reference to this exhibition is to be seen.

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